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00:00 | START
00:24 | Garth Marenghi’s Dark Place
03:00 | When the scene is about what the scene is about…
04:24 | Schitt’s Creek
06:10 | The Invention of Lying
07:32 | The Wire
10:43 | Double Indemnity
15:16 | Innuendo
15:46 | Midnight in Paris
17:06 | Breaking Bad
21:10 | Thematic Subtext
21:42 | Sideways
23:01 | Subtext Becoming Text
24:19 | Phone Booth
25:38 | Back to Thematic Subtext
27:43 | Jaws
30:29 | Little Miss Sunshine
33:00 | Dramatic Subtext
33:33 | Gravity
35:31 | Foreshadowing
36:13 | Citizen Kane
39:07 | Toy Story 3
40:47 | Complex Subtext
43:35 | Types of Subtext Overview
44:15 | Questions

In this video, writer, story developer and screenwriting lecturer Karel Segers takes a different approach to subtext.

This is the recording of a live masterclass. For the latest masterclasses, enrol in the Immersion course, or the masterclasses (links below).

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What many call subtext, is in fact just an indirect way of getting the story across. This doesn't mean the moment or scene is multi-layered. To have proper subtext, you first need a 'text'. Under the surface of this sits the actual subtext.

Watch this video, and learn the difference between Dramatic Subtext and Thematic Subtext.

If you find the video enjoyable or educational, please give us a like.
Or even better, please support us by subscribing to the channel, and to be notified of new videos.

Thank you.

Karel

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LINKS
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The Story Department: https://thestorydepartment.com
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Immersion Courses: https://screenwriting.courses

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Screenwriting Masterclass | Subtext
   • Screenwriting Masterclass | Subtext  
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