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On this channel, we have often discussed the Mid Point Reversal (MPR), which is by far the most effective way of bringing some pizzazz into your second act.

In this masterclass, I list the various issues that typically occur in the second act of inexperienced screenwriters. Next, I go over some tools and techniques to help you avoid falling in the same traps.

If you enjoy any of this, subscribe! In this way, you'll be among the first to know when I publish a new video.

0:00 | Start
0:40 | Contents
1:48 | The Three Acts
5:12 | What Don't You Want?
6:34 | Passive Protagonist
7:09 | All Play & No Work
7:35 | Thematic Paucity
8:10 | Distracted Hero
9:24 | The Plausibles
10:50 | Glacial Pacing
12:16 | Lack of POV
14:09 | Character Creep
15:52 | Deus Ex Machina
16:39 | OVERVIEW
17:50 | Fractal Structure
19:56 | 4 Sequences
20:44 | More Solutions
40:02 | Solutions Overview
40:45 | Hell Or High Water
42:11 | How many characters?
44:01 | MPR in television?
47:53 | Merely Write

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MASTERCLASS | FRACTAL STRUCTURE:    • Screenwriting Masterclass | Fractal S...  

Did you think this was in any way helpful or useful?
I'm keen to hear what you think, as well as what you would like me to cover next. Please comment below, and let us know!

There's no time like NOW to subscribe to this channel. If you do, a sudden and mysterious success will suddenly grace your screenwriting career.

Thank you.

Karel

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LINKS
The Story Department: https://thestorydepartment.com
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Immersion Courses: https://screenwriting.courses

THANK YOU
Thank you to Steven Miao for the intro video, Mukul Kandara for ongoing support in getting these videos made, and to Baxter for his feedback.

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Screenwriting Masterclass | Writing The Second Act
   • Screenwriting Masterclass | Writing T...  
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