Figuring a Scene | In Dialogue with Patrick Flores and Siddharta Perez

Finding Working Women in the Singapore Art Collection

The Original, the Copy, and the Remade: Artworks and Their Doubles

Material as Method: Kwok Kian Chow in Dialogue with Teo Hui Min

Worlds Apart, Strangers Together | In Dialogue with Yuki Kihara and Patrick Flores

“Magic Maids”, a work-in-progress sharing by Eisa Jocson and Venuri Perera

Worlds Apart, Strangers Together | Atreyee Gupta on The Non-Aligned Movement

Worlds Apart, Strangers Together | Solange Farkas on Transcultural Curation

Partha Mitter on Reimagining Modernism: Picasso Manqué Syndrome and the Virtual Cosmopolitan

Siapa Nama Kamu?: Reflections on DBS Singapore Gallery 1

At the Conservator’s Bench | When is a Painting Complete?

At the Conservator’s Bench | What makes a Painting?

At the Conservator’s Bench | What is a Painting?

Resonates With Residency | Residency Recap: Alina Ramirez

See Me, See You: Early Video Installation of Southeast Asia | Dream World

See Me, See You: Early Video Installation of Southeast Asia | The Language Lesson

See Me, See You | 12 Hours in the Life of Agung Rai, the Dancer

See Me, See You: Early Video Installation of Southeast Asia | Choose

See Me, See You: Early Video Installation of Southeast Asia | Hoping to Hear from You Soon

See Me, See You: Early Video Installation of Southeast Asia | In the Precious Garden

See Me, See You: Early Video Installation of Southeast Asia | Sin of Apathy

See Me, See You | The Medium is the Message (After Marshall McLuhan)

"At the Conservator's Bench | Cheong Soo Pieng: Layer by Layer" Teaser

In Conversation with Liu Kuo-sung and Eugene Y. Wang

Gallery Benefit 2023

Light to Night Singapore 2024: Reimagine | Festival Video

Artist Spotlight: Arahmaiani X Wayang Merdeka X Milosh Luczynski | Light to Night 2024

Artist Spotlight: Teo Eng Seng X Milosh Luczynski | Light to Night 2024

Artist Spotlight: Whisperlodge | Light to Night 2024

Artist Spotlight: Nikkei | Light to Night 2024