Joseph Riepel and the Secrets of Galant Melody

Composing a four-part motet from scratch!

Seven misconceptions about nuns and music (1500-1700)

Score analysis #5 - William Byrd / Hugh Ashton's ground [Tregian’s ground]

The Magic Table That Lets You Compose Canons Over A Cantus Firmus (1596)

Period composition (and the truth about Albinoni’s adagio)

Why do we need scholarly editions of music?

A Christmas special: Gaudete! And what happened to it in the 20th century

Why bad performances are bad (according to someone in 1594) / Bottrigari: Il Desiderio

Conducting in the 16th-18th centuries

Dario Castello: Sonata Prima! (1629)

The fascinating counterpoint of Lamentation letters

Penna: The Fundaments of Playing Upon a Part (1672) [PIE vol. 5]

Tutorial: intabulating vocal music into keyboard notation

The Castrati: A dark corner in music history

The tragically short career of Monteverdi’s star soprano Caterina Martinelli

Orfeo, Hindemith and the Early Music Revival

Cantare super librum

How we realized Monteverdi’s O quam pulchra es

Early Music Sources special opening themes: 2015-2022

The Neapolitan Chord

Bach’s choir: Size matters??

How to lose your music teaching job in one year: the trial of Pietro Pontio 1566

Score analysis #4 - Jan Pieterszoon Sweelinck / Mein junges Leben hat ein End

Joachim Burmeister and his musical-rhetorical figures

Partimento - Training the Maestri

The Carlo G manuscript - A precious window to the past

Who's afraid of Carlo Gesualdo? 🎃

Unsatisfyingly sweet: Josquin's Mille Regretz

Vincenzo Galilei VS Polyphony and Word Painting