From Artist to Artistic Researcher: Chapter 1, Part 6 - Definitions of research

From Artist to Artistic Researcher: Chapter 1, Part 5 - Lines of academic merit

From Artist to Artistic Researcher: Chapter 1, Part 4 - Parameters of Quality

From Artist to Artistic Researcher: Chapter 1, Part 3 - How does one research

From Artist to Artistic Researcher: Chapter 1, Part 2 - What does one need, in order to research

From Artist to Artistic Researcher: Chapter 1, Part 1 - Why research

From Artist to Artistic Researcher: Chapter 1 - Introduction

Self-organizing maps (SOMs) as an AI-tool for music-analysis and -production - Simon Linke

Neue, künstlerische Arbeitsabläufe im Umgang mit generativen Audiowerkzeugen

Interactive machine learning for music - Prof. Rebecca Fiebrink

Post digitalism - Prof. Dr. Alexander Schubert

Organized Sound Spaces with Machine Learning - Dr. Kıvanç Tatar

Sound Gesture Intelligence - Dr. Greg Beller

MUTOR 2.0 - The Science of Music - Expectation and Anticipation

MUTOR 2.0 - The Science of Music - Scale and Harmony

Piano Keyboards - Was man auch von Brahms lernen kann - Interview

MUTOR 2.0 - The Science of Music - Gestalt and Melody

Piano Keyboards - Was man auch von Brahms lernen kann - Interpretation

MUTOR 2.0 - The Science of Music - Rhythm

Piano Keyboards - Zwischen Intuition und Intellekt - Interpretation

MUTOR 2.0 - The Science of Music - Timbre

Piano Keyboards - Im Männlichkeitswahn - Interpretation

Piano Keyboards - Zwischen Intuition und Intellekt - Interview

Piano Keyboards - Im Männlichkeitswahn - Interview

Piano Keyboards - Improvisation als Begegnung - Interview

Audisti - Workshop 5

Audisti - Workshop 8

Audisti - Workshop 7

Bèo dạt mây trôi / Floating flowers, drifting clouds

Vọng Kim Lang / Miss Mr. Kim Trong