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Anyone But You was supposed to revive the rom com, but it's missing something. This video breaks down the components of the Hollywood romantic comedy, and what gives it that magical quality!

Thumbnail by Hannah Raine

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SOURCES:

Yohana Desta, “Maybe Nancy Meyers Doesn’t Want You to Stop Focusing on Her Beautiful Movie Kitchens” Vanity Fair (2019).

James J. Dowd and Nicole R. Pallotta, “The End of Romance: The Demystification of Love in the Postmodern Age” Sociological Perspectives, Vol. 43, No. 4 (Winter, 2000).

Nora Ephron, “Moving On, A Love Story” The New Yorker (2006).

Megan Feeney, “The Plight of the Rom-Com in the Post-Romantic Era” Cinéaste, Vol. 47 (4) (2022).

Helen Fielding, Independent Columns (1995).

http://bridgetarchive.altervista.org/...

Hadley Freeman, “Nancy Meyers: ‘I don’t see a lot of movies about complicated women … I think it’s gotten worse’” The Guardian (2015).

Roberta Garrett, “Female Fantasy and Post-Feminist Politics in Nora Ephron’s Screenplays” Journal of Screenwriting, vol. 3 (2) (2012).

Brian Henderson, “Romantic Comedy Today: Semi-Tough or Impossible?” Film Quarterly , Summer, 1978, Vol. 31, No. 4 (Summer, 1978).

Benjamin Lee, “Anyone But You review – slick but soulless romantic comedy” The Guardian (2023).

Paula Marantz Cohen, “What Have Clothes Got to Do with It? Romantic Comedy and the Female Gaze” Southwest Review , 2010, Vol. 95, No. 1/2 (2010).

Adrian Martin, “In the Mood For (Something Like) Love: The Situation of the Rom-Com Today” Cinéaste , Winter 2013, Vol. 39, No. 1 (2013).

Nancy Meyers, “Life Isn’t Like the Movies (Even if You Write the Movies)” The New York Times (2020).

Doris Milberg, The Art of the Screwball Comedy: Madcap Entertainment from the 1930s to Today, McFarland (2013).

Rachel Syme, “The Nora Ephron We Forgot”, New Yorker (2022).

Stephanie Zacharek, “Notting Hill” , Salon (1999).