In this live podcast with Anupama Chopra, Sara Ali Khan talks about being able to sum up the range of her entire career through the lens of two of her latest releases - Netflix India’s Murder Mubarak and Amazon Prime Video’s Ae Watan Mere Watan. She delves deep into her process of preparing for this role, and how she’s changed and evolved as a person down the years. She talks about striving to achieve peace, and peace only through her performances, and the work she aspires to do in the next few years.

#SaraAliKhan #MurderMubarak #AeWatanMereWatan

00:00 - In conversation with Sara Ali Khan
01:31 - The one 5 year old social media comment that now translates into her acting career
04:02 - Being able to academically interpret history and putting it to use in AWMW
05:28 - Did Sara dig deep into what Usha Mehta’s life was?
06:36 - Sara not being allowed to meet people who knew Usha
08:28 - Being able to regain self-belief through AWMW
11:03 - Requiring Saatvik Positivity
13:05 - Biggest struggle for a young actor today
18:02 - Does the surround sound impact the headspace of an actor?
20:05 - Can Sara give inputs for her characters?
22:29 - The Cannes Film Festival being a reality check
26:12 - What does Amrita Singh say to Sara when she returns home?
27:42 - A role that made Sara excited, but also jealous
29:12 - Sara and her gratitude journal
31:51 - Promotional interviews being Bidai Ka Time and her takeaway from the film
33:56 - Audience QnA

Have you subscribed to Film Companion yet? Join us here -
http://bit.ly/FCsubscribe

Follow Us On:
  / filmcompanion  
  / filmcompanion  
  / filmcompanion  

About The Channel:
The Film Companion is a web channel intended to promote Indian cinema through films review, interviews, discussions, video essays, and analytical compilations. It is intended primarily for the purpose of encouraging informed discussions, criticism, and review of cinema and towards such purpose, the programs use short extracts of cinematograph films, sound recording, and photographic works. These clips and extracts are of a minimal nature and the use is not intended to interfere in any manner with their commercial exploitation of the complete work by the owners of the copyright. The use of works is in compliance with the fair dealing exception provided under Sec. 52 of the Copyright Act, and we assert our use of the works under the exception provided for criticism and review.