Massacre at Grand Canyon - After a search for his father's killers, Mitchum returns home only to find himself involved in a bloody land dispute.

Massacre at Grand Canyon (1964)
Directors: Albert Band, Sergio Corbucci
Writers: Fede Arnaud (dialogue), Albert Band
Stars: James Mitchum, Milla Sannoner, George Ardisson
Genres: Western
Country: Italy
Language: English
Release Date: 10 March 1967 (West Germany)
Also Known As: Dolofonia sto Canyon Grande
Filming Locations: Grobnicko polje, Croatia

Storyline:
A murdered sheriff's brother and his fiancee try to rouse citizens to action against a gang of hired gunmen.

Reviews:
"Unlike many westerns made by the Italians during the spaghetti western craze, "Massacre At Grand Canyon" seems to have been a serious attempt to come across more like an American western rather than having done things in the spaghetti western style. The flavorable music sounds more American, the nice-looking Yugoslavian locations look more American, and the screenplay devotes a lot of time to character development over action. Unfortunately, in the attempt to flesh out the characters, the movie unintentionally ends up being surprisingly boring for a great deal of time. There's far too much talk here - I would have gladly given up a lot of the talk for some more action. As for the action, while there are one or two action sequences that are passable, most of the time it comes across as flat and disappointing. Director Sergio Corbucci made some good movies in his career, but this isn't one of them." Written by Wizard-8 on IMDb.com

"The court is still out on this one. The second of Sergio Corbucci's Euro Westerns that I have managed to track down lacks the punch that he would find in DJANGO and represents a genre in search of it's form. It's actually a very unique looking production, using exteriors located in the former Yugoslavia rather than Spain and existing as a sort of brooding, somber range war movie than a slick cartoon about Pistoleros and Gringos battling it out under the hot sun. James Mitchum is adequate as the Yankee imported to sway box office receipts, with genre legends George Ardisson and my hero Giacomo Rossi-Stuart adding a bit more color in supporting roles.

The issue with the film is that it's a bit of a slog compared to the hip, visually revolutionary movies like DJANGO and the Sergio Leone DOLLARS films, and still hadn't quite achieved the sense of fun & invention from contemporaneous Euro Western hits like SEVEN GUNS FOR THE MACGREGORS or FURY OF THE APACHES -- over the top examples of the Western as an exaggeration, where MASSACRE AT GRAND CANYON seems to dwell on understatement. It's a bit more enjoyable than Corbucci's followup MINNESOTA CLAY which I have a strong aversion to that cannot be put into words. I hate MINNESOTA CLAY but I merely dislike MASSACRE AT GRAND CANYON.

Yet it's historically significant, with the presence of Albert Band helping to cement the film as a transitional effort between the Karl May influenced Schnitzel Westerns of Harald Reinl et al & the full blown Spaghetti Western boon precipitated in part by Corbucci's DJANGO. By then he would have found his balance between the brooding, languid sense of pessimism and an arty flair that would become his trademark. Here he was figuring out the tune, and while I may not sing praises for the results they are certainly interesting, and spoke of greater things to come." Written by Squonkamatic on IMDb.com

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