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I think the topic of how cinematographers can best collaborate with directors is not discussed often enough in the filmmaking community. When it comes to working with a director there are no hard and fast rules that can be applied to everyone.

In this video I’ll outline the basic roles which each can occupy, look at directors with a set visual style versus those who change their style depending on the project and look at different case studies of well known directors to analyse their approach to working with their respective DPs.

Source: https://theasc.com/ac_magazine/Januar...

List Of Films Featured:
Raging Bull (1980)
That Day On The Beach (1983)
Kundun (1997)
Barton Fink (1991)
Chungking Express (1994)
Fallen Angels (1995)
Hero (2002)
The Life Aquatic With Steve Zissou (2004)
House Of Flying Daggers (2004)
The Darjeeling Limited (2007)
No Country For Old Men (2007)
Harry Potter And The Half-Blood Prince (2009)
Hugo (2011)
Inside Llewyn Davis (2013)

0:00 Introduction
0:54 Role Of The Director & DOP
3:08 Set Style Vs. Fluid Style
4:52 Case Study: Coen Brothers
7:44 Case Study: Zhang Yimou
9:44 Conclusion

Music:
Noir Et Blanc Vie - 'AnaCaptainslogue'
NoMBe - 'InterplanetaryAlignment'
The Tides - 'Ammil'
The Tides - 'Somnolent'
Jesse Gallagher - 'Monumental Journey'
Jesse Gallagher - 'Satya Yuga'