Changing keys is a great way to add more sophistication to a piece of music, but it can be a tricky process. Sure, there's some easy targets, but what if you want to get weird with it? What if you want to go somewhere completely different, somewhere with absolutely nothing in common with your starting key? Most of our normal modulation tools fall apart when the scales get too far away from each other, but theorists don't give up quite so easily.

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Last:    • Building Blocks: Tritone Substitutions  
32-Bar Form video:    • 32 Bars Unplanned: The Form Of The Gr...  
Modulation video:    • Building Blocks: Changing The Key  
Modal Interchange video:    • Building Blocks: Borrowing Chords  
Secondary Dominants video:    • Building Blocks: Secondary Dominants ...  
Tritone Substitutions video:    • Building Blocks: Tritone Substitutions  
Diminished 7ths video:    • Diminished 7th Modulations and the Sw...  
BONUS video:    • Bonus: Cory's Theory Homework  

Script: https://docs.google.com/document/d/1m...

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And thanks as well to Henry Reich, Logan Jones, Eugene Bulkin, Dialup Salesman, Abram Thiessen, Anna Work, Oliver, Jc Bq, Adam Neely, Jon I, nico, David Zahara, Harold Gonzales, Lucas van Loomis, Michael Fieseler, Rick Lees, Ben LaRose, rhandhom1, Marc Himmelberger, Chris Borland, jason black, Dutreuilh Olivier, Olivia Andersson, Nick Olman, Joey Strandquist, Daniel Gilchrist, billy roberts, Elliot Burke, Alex Atanasyan, Davis Sprague, Amlor, Miles Strand, PlayTheMind, Greg Borenstein, Tim S., David Tocknell, Elias Simon, Dakota Williams, Gargron, Jordan Nelson, Jerry D. Brown, Luciano Baez, Christopher Wright, Sportlunch, David Conrad, StarsServant, Steven Kapor, Dave Mayer, Thomás, MasterDslay, blalo'u, Adil Abdulla, and Lauren Steely! Your support helps make 12tone even better!

Also, thanks to Jareth Arnold for proofreading the script to make sure this all makes sense hopefully!