Jan-Ove Tuv gives his analysis of the portraits by Nicolai Fechin and compares them to works by the Russian-American's contemporaries and older colleagues.

In this video you will learn about:
• Reflecting the background in the main character
• Separating forms by temperature instead of value
• Keeping solidity in a roughly painted portrait
• Dividing a form into multi-shapes to achieve volume
• How to pull off thick in the shadows, thin in the lights
• Why Munch and Boznanska are superior to Fechin
• How too much structure of paint can defeat the form
• What Chardin and Fechin have in common
• Varying between loose and tight outlines
• Fechin's problemtatic handling of backgrounds
• Why Rembrandt takes the glory at the end of the day

▶️ Full video (21 min):   / 78270440  
🎵 Full audio: https://caveofapelles.com/podcast

SHOUTOUT to our TOP SPONSORS!
Fergus Ryan
Matthias Proy
Eivind Josten
Børge Moe

*

Would you like to get access to the full segment and more exclusive content from The School of Apelles?
✨ Become a $10 patron:
  / ​  

Subscribe to our newsletter. It is the only way to make sure that you receive content from us on a regular basis: https://bit.ly/2L8qCNn​

Check out our other channels:
Cave of Apelles: https://bit.ly/3fBGQ1I
Culture Wars: https://bit.ly/2PkrYdq

Visit our facebook page:
  / caveofapelles​  

For inquiries — [email protected]