The Film Companion Actors’ Adda 2022 saw the biggest lineup of pan-India actors from Rishab Shetty, Anil Kapoor, Vidya Balan, Janhvi Kapoor, Dulquer Salmaan, Ayushmann Khurrana, Vijay Varma, Sheeba Chadha to Rajkummar Rao sit across from Anupama Chopra to discuss the year that was, break down scenes from their films that terrified them and performances from the year that made them jealous.

Location Courtesy: The Nook, Mumbai https://www.thenook.co.in

#actorsadda #roundtable #panindia

0:00 Meet the performers of 2022
1:00 Rishab Shetty on the physical challenges of creating Kantara
5:32 The one moment in 2022 that was life changing
10:22 Anil Kapoor wants to get the purity of the emotion
12:26 The one emotion Vidya Balan struggles with
13:37 Why Vidya Balan didn't want to talk to Vijay Varma
15:04 What is the definition of a 'good script'?
18:46 The omnipresent Sheeba Chadha in 2022
22:58 Rajkummar Rao & Sheeba Chadha recall the terrace scene in Badhaai Do
24:25 The legendary scream in Kantara
27:24 Does the Bollywood male hero need more 'testosterone'?
35:10 Rajkummar on his 'regular guy' character in Monica, O My Darling
37:07 What has the pandemic done to stardom?
40:51 Janhvi Kapoor on balancing being an actor & an influencer
43:36 The social media illusion seeping into the acting career
49:37 A performance that made you jealous in 2022
57:15 Looking forward to 2023


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The Film Companion is a web channel intended to promote Indian cinema through films review, interviews, discussions, video essays, and analytical compilations. It is intended primarily for the purpose of encouraging informed discussions, criticism, and review of cinema and towards such purpose, the programs use short extracts of cinematograph films, sound recording, and photographic works. These clips and extracts are of a minimal nature and the use is not intended to interfere in any manner with their commercial exploitation of the complete work by the owners of the copyright. The use of works is in compliance with the fair dealing exception provided under Sec. 52 of the Copyright Act, and we assert our use of the works under the exception provided for criticism and review.