Collateral, directed by Michael Mann, is an exhilarating ride from beginning to end. Being a Michael Mann film, the shootouts rattle your body for the rest of the day. But for as riveting as the action is, Collateral's greatness is due in large part to its thematic journey. In this analysis, I explore Vincent's nihilistic philosophy, which he uses to quash childhood pain and the guilt of murdering people. Collateral asks the audience an important question: Are Vincent's actions wrong if his beliefs about the world are correct?

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Music by: Ronald Lynn Dickison

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