Bharat Ek Khoj—The Discovery of India
A Production of Doordarshan, the Government of India’s Public Service Broadcaster
Episode 32: Akbar, Part I

With Kulbhushan Kharbanda as Akbar, Virendra Sexena as Birbal, Harish Patel as Todar Mai, Rajesh Vivek as Sheikh Mubarak, Pankaj Berry as Abul Fazai, Irfan Khan as Badayuni, Puneet Issar as Rana Pratap, S.P. Dubey as Abdul-Nabi, Surendar Pal as Man Singh, Arun Bakshi as Atga Khan, and Ayub Khan as Munim Khan.

As Nehru noted, Babur died within four years of his coming to India and much of his time was spent in fighting and laying out a splendid capital in Agra. Hankering for Central Asia, Babur had won an empire in India; scorning Central Asia, Humayun lost the whole empire in India. Humayun encountered Sher Shah Suri, a well-prepared Afghan contender for sovereignty and, in the ensuing tussle in 1540 near Kanauj, he barely escaped with his life, but the Mughal troops were decimated. Humayun became a fugitive. The enthroned Sher Shah Suri had a short reign, installing energetic administrative reforms with excellent roads, horse-backed postal systems and stylised monuments. His remarkable reign came to an end in 1545 with his death.

By 1555, Humayun reclaimed Delhi, but stumbled to his death next year. His son Akbar, barely 13, came out of the seraglio where he was under protection of uncle Bayram Khan, as regent, and reigned from 1556-1605. Drawing from Abul-Fazl’s imperial memoir Akbar-Nama, we see scenes of market prices being controlled (with Akbar intervening incognito). The young king proceeds to marry Jodhabai, the Rajput princess of Amber, and abolishes the discriminating Jaziya tax on the Hindus. As Nehru observes, Akbar surrounds himself with a group of brilliant men devoted to him and his ideals among whom are famous brothers Abul-Fazl and Fyzee, humorist Birbal, the trusted Rajput Raja Man Singh and the valiant general Abdul Rahim Khankhana.

But the quarrel continues with the orthodox Ulemma, to whom the Sufi saint Sheikh Mubarak is hauled up. While most Rajput chiefs are amalgamated in the imperial system of broad-based Omrah (nobility), Rana Udai Singh of Mewar, and his valorous son Pratap Singh, prove recalcitrant, notwithstanding Man Singh’s honest persuasions. Akbar lays a punitive siege of Chittor, but despite the defeat at Haldighat, and flight of Udai Singh and Pratap Sigh to sanctuary in the hills Chittor is never re-occupied.

As Nehru states, his royal court became a meeting place, almost an Ibadatkhana (prayer-hall), every Friday, for men of all faiths and those who had new ideas or inventions. His tolerance of views and his encouragement of all kinds of beliefs and opinions, including Sufism, angered some of the more orthodox Muslims like the Sayyads. Included in Akbar’s theological forays are, as we find, Portuguese priests. In 1580, the padres hastened from Goa confident of the most sensational conversion of all times! In the event, they are disappointed as were all other disputants.

Akbar’s quest for spiritual enlightenment was to seek a faith that would satisfy the needs of his realm as well as his conscience. As a result, he came up with a new religious order Din-E-Ilahi. The cultural amalgamation of Hindu and Muslim in north India took a giant step forward, with Akbar as popular with the Hindus as with the Muslims.

Producer Doordarshan
Language Hindi

Credits

Uploaded by Public.Resource.Org
Based on Pt. Jawaharlal Nehru, The Discovery of India
With Roshan Seth as Jawaharlal Nehru
Om Puri as the Narrator
Produced and Directed by Shyam Benegal
Chief Assistant Director was Mandeep Kakkar
Executive Producer Raj Plus
Script by Shama Zaldi and Sunil Shanbag
A production of Doordarshan