This work was composed in 1853-54 and revised in 1891. It therefore has both the energy of youth and the balance of maturity.
As for the interpretation, one only has to listen to the first bars played by Yuja: it is impossible to be more expressive and more sober, more tender and more exact at the same time. It will be the same throughout the work. Of course, Yuja is well surrounded, but she really leads the art of chamber music at its peak.

1er mvmt : 00:22
2e mvmt : 15:12
3e mvmt : 21:53
4e mvmt : 30:47